Sidsel Meineche Hansen

News

Texts

Solo Shows

Group Shows

Nominations

2020

Turner Bursaries, Tate Britain (winner)

Sidsel Meineche Hansen, INSIDER, burnished wood, 324 x 505 cm, 2017. Installation view, Ovartaci & the Art of Madness, Kunsthal Charlottenborg, Copenhagen, 2017

Sidsel Meineche Hansen, INSIDER, burnished wood, 324 x 505 cm, 2017. Installation view, Ovartaci & the Art of Madness, Kunsthal Charlottenborg, Copenhagen, 2017

Sidsel Meineche Hansen, Daddy Mould, glass fibre mould in two parts, vaseline and text, 149 x 37 x 92 cm and 149 x 48 x 89 cm, 2018. Installation view, home vs owner, Rodeo, Piraeus

Sidsel Meineche Hansen, Daddy Mould, glass fibre mould in two parts, vaseline and text, 149 x 37 x 92 cm and 149 x 48 x 89 cm, 2018. Installation view, home vs owner, Rodeo, Piraeus

Sidsel Meineche Hansen, Installation view, Real Doll Theatre, KW, Berlin, 2018

Sidsel Meineche Hansen, Installation view, Real Doll Theatre, KW, Berlin, 2018

Sidsel Meineche Hansen, Keychain Secure, Sign (16.5 x 90 cm), door lock, key chain and key, dimensions variable, 2019. Installation view, Welcome to End-Used City, Chisenhale Gallery, London, 2019

Sidsel Meineche Hansen, Keychain Secure, Sign (16.5 x 90 cm), door lock, key chain and key, dimensions variable, 2019. Installation view, Welcome to End-Used City, Chisenhale Gallery, London, 2019

Sidsel Meineche Hansen, Installation view, An Artist’s Guide to Stop Being An Artist, SMK, Copenhagen, 2019

Sidsel Meineche Hansen, Installation view, An Artist’s Guide to Stop Being An Artist, SMK, Copenhagen, 2019

Sidsel Meineche Hansen, Love Doll Resurrect, digital video in colour, with Therese Henningsen, 57 sec., 2019

Sidsel Meineche Hansen, Love Doll Resurrect, digital video in colour, with Therese Henningsen, 57 sec., 2019

Sidsel Meineche Hansen, Laptop curator, imprint in clay, 47 x 40 cm, 2018

Sidsel Meineche Hansen, Laptop curator, imprint in clay, 47 x 40 cm, 2018

Sidsel Meineche Hansen, End-used City 2077, computer-generated images, game controller, PC, video, sound, duration: 12 min., 2019-2021. Installation view, Welcome to End-Used City, Chisenhale Gallery, London, 2019

Sidsel Meineche Hansen, End-used City 2077, computer-generated images, game controller, PC, video, sound, duration: 12 min., 2019-2021. Installation view, Welcome to End-Used City, Chisenhale Gallery, London, 2019

Sidsel Meineche Hansen, DICKGIRL 3D(X) in VR format, a gaming PC, Oculus Rift headset, headphones, beanbag in vegan leather, 2016. Installation view, SECOND SEX WAR ZONE, Gasworks, London, 2016

Sidsel Meineche Hansen, DICKGIRL 3D(X) in VR format, a gaming PC, Oculus Rift headset, headphones, beanbag in vegan leather, 2016. Installation view, SECOND SEX WAR ZONE, Gasworks, London, 2016

Sidsel Meineche Hansen, No Right Way 2 Cum, Installation: gaming PC containing the mounted CGI animation No Right Way 2 Cum, Oculus Rift headset, projector, 2015. Installation view, No Right Way 2 Cum, Transmission Gallery, Glasgow, 2016

Sidsel Meineche Hansen, No Right Way 2 Cum, Installation: gaming PC containing the mounted CGI animation No Right Way 2 Cum, Oculus Rift headset, projector, 2015. Installation view, No Right Way 2 Cum, Transmission Gallery, Glasgow, 2016

Sidsel Meineche Hansen, DICKGIRL 3D(X), still, CGI animation, HD video with sound, 3 min. loop, 2016

Sidsel Meineche Hansen, DICKGIRL 3D(X), still, CGI animation, HD video with sound, 3 min. loop, 2016

Sidsel Meineche Hansen, shows (cross work), lasercut drawing on plywood, 84 x 105 cm, 2018

Sidsel Meineche Hansen, shows (cross work), lasercut drawing on plywood, 84 x 105 cm, 2018

Sidsel Meineche Hansen, Maintenancer, digital video with sound, in collaboration with Therese Henningsen, 13 min. 5 sec., 2018

Sidsel Meineche Hansen, Maintenancer, digital video with sound, in collaboration with Therese Henningsen, 13 min. 5 sec., 2018

Sidsel Meineche Hansen, Installation view, home vs owner, Rodeo, London, 2020

Sidsel Meineche Hansen, Installation view, home vs owner, Rodeo, London, 2020

Sidsel Meineche Hansen, Torture Me So I Can Learn Miss Ovartaci, laser woodcut on paper, 56 x 76 cm, 2013

Sidsel Meineche Hansen, Torture Me So I Can Learn Miss Ovartaci, laser woodcut on paper, 56 x 76 cm, 2013

Sidsel Meineche Hansen, Installation view, ONE-self, Temporary Gallery, Cologne, 2015

Sidsel Meineche Hansen, Installation view, ONE-self, Temporary Gallery, Cologne, 2015