Banu Cennetoğlu

News

Texts

Solo Shows

Group Shows

Nominations

2012

Delfina Foundation, London

2011

Geoair, Tbilisi, Georgia

2005

Office For Contemporary Art Oslo, Oslo

2002 – 2003

Rijksakademie van Beeldende Kunsten/Dutch Ministry of Education, Culture and Science, Amsterdam

1995

Speos, Polaroid Scholarship Paris, Paris

Banu Cennetoğlu, 1 January 1970 – 21 March 2018 · H O W B E I T · Guilty feet have got no rhythm · Keçiboynuzu · AS IS · MurMur · I measure every grief I meet · Taq u Raq · A piercing Comfort it affords · Stitch · Made in Fall · Yes. But. We had a golden heart. · One day soon I’m gonna tell the moon about the crying game, twenty-two digital videos and 46,685 digital slides, 127 h. 14 min., 2018. Installation view, Banu Cennetoğlu, SculptureCenter, New York, 2019

Banu Cennetoğlu, 1 January 1970 – 21 March 2018 · H O W B E I T · Guilty feet have got no rhythm · Keçiboynuzu · AS IS · MurMur · I measure every grief I meet · Taq u Raq · A piercing Comfort it affords · Stitch · Made in Fall · Yes. But. We had a golden heart. · One day soon I’m gonna tell the moon about the crying game, twenty-two digital videos and 46,685 digital slides, 127 h. 14 min., 2018. Installation view, Banu Cennetoğlu, SculptureCenter, New York, 2019

Banu Cennetoğlu, Installation view, Bergen Assembly 2019, Bergen, 2019

Banu Cennetoğlu, Installation view, Bergen Assembly 2019, Bergen, 2019

Banu Cennetoğlu, Installation view, Banu Cennetoğlu, K21 Ständehaus, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 2019

Banu Cennetoğlu, Installation view, Banu Cennetoğlu, K21 Ständehaus, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 2019

Banu Cennetoğlu, I Know Very Well, But Nevertheless, 28 helium inflated gold mylar balloons, 2015- Ongoing. Installation view, Stories of Almost Everyone, Hammer Museum, Los Angeles, 2018

Banu Cennetoğlu, I Know Very Well, But Nevertheless, 28 helium inflated gold mylar balloons, 2015- Ongoing. Installation view, Stories of Almost Everyone, Hammer Museum, Los Angeles, 2018

Banu Cennetoğlu, "a problematic" triad : yellow red green, 32 flourescent lamps in yellow, red and green, 2015. Installation view, Banu Cennetoğlu, Bonner Kunstverein, Bonn, 2015

Banu Cennetoğlu, "a problematic" triad : yellow red green, 32 flourescent lamps in yellow, red and green, 2015. Installation view, Banu Cennetoğlu, Bonner Kunstverein, Bonn, 2015

Banu Cennetoğlu, Installation view, Banu Cennetoğlu, SculptureCenter, New York, 2019

Banu Cennetoğlu, Installation view, Banu Cennetoğlu, SculptureCenter, New York, 2019

Banu Cennetoğlu, Scary Asian Men, lamda prints with glass frame, 50 x 75 cm, 2006

Banu Cennetoğlu, Scary Asian Men, lamda prints with glass frame, 50 x 75 cm, 2006

Banu Cennetoğlu, CATALOG 2009, Artist’s book, 912 pages, 21 cm x 28 cm, offset printing, Ed: 150. Installation view, Lapses, The Pavilion of Turkey, 53rd International Art Exhibition, Venice Biennale, Venice, 2009

Banu Cennetoğlu, CATALOG 2009, Artist’s book, 912 pages, 21 cm x 28 cm, offset printing, Ed: 150. Installation view, Lapses, The Pavilion of Turkey, 53rd International Art Exhibition, Venice Biennale, Venice, 2009

Banu Cennetoğlu, BEINGSAFEISSCARY, various materials, 2017. Installation view, documenta 14, Friedrichsplatz, Kassel, 2017

Banu Cennetoğlu, BEINGSAFEISSCARY, various materials, 2017. Installation view, documenta 14, Friedrichsplatz, Kassel, 2017

Banu Cennetoğlu, The List, list of 13.824 documented deaths of asylum seekers, refugees and migrants due to the restrictive policies of Fortress Europe. Documentation as of 17.06.2010 by UNITED for Intercultural Action. Installation view,The List, poster campaign, Basel, in collaboration with Kunsthalle Basel

Banu Cennetoğlu, The List, list of 13.824 documented deaths of asylum seekers, refugees and migrants due to the restrictive policies of Fortress Europe. Documentation as of 17.06.2010 by UNITED for Intercultural Action. Installation view,The List, poster campaign, Basel, in collaboration with Kunsthalle Basel

Banu Cennetoğlu, The List, list of 34,361 documented deaths of asylum seekers, refugees and migrants who have lost their lives within or on the borders of Europe since 1993. Documentation as of 5 May 2018 by UNITED for Intercultural Action. Installation view, The List, Great George Street, Liverpool Biennial, 2018

Banu Cennetoğlu, The List, list of 34,361 documented deaths of asylum seekers, refugees and migrants who have lost their lives within or on the borders of Europe since 1993. Documentation as of 5 May 2018 by UNITED for Intercultural Action. Installation view, The List, Great George Street, Liverpool Biennial, 2018

Banu Cennetoğlu, Library of Spirits I – Romania, an assortment of 115 home-made spirits. Package in 100ml uniform bottles. Installation view, BanuBarMixt, Salonul de Proiecte, Bucharest, 2013 – 2014

Banu Cennetoğlu, Library of Spirits I – Romania, an assortment of 115 home-made spirits. Package in 100ml uniform bottles. Installation view, BanuBarMixt, Salonul de Proiecte, Bucharest, 2013 – 2014

Banu Cennetoğlu, Library of Spirits-II, mixed media, 2014. Installation view, 10th Gwangju Biennale, Gwangju, 2014

Banu Cennetoğlu, Library of Spirits-II, mixed media, 2014. Installation view, 10th Gwangju Biennale, Gwangju, 2014

Banu Cennetoğlu, Gurbet’s Diary (27.07.1995–08.10.1997), 82,661 words from Gurbet’s Diary. I Engraved My Heart into the Mountains by Gurbetelli Ersöz in mirror image, 107 days, and 145 press-ready lithographic limestone slabs, 900 cm x 1800 kg, 2016 - 2017. Installation view, documenta 14, Gennadius Library, Athens, 2017

Banu Cennetoğlu, Gurbet’s Diary (27.07.1995–08.10.1997), 82,661 words from Gurbet’s Diary. I Engraved My Heart into the Mountains by Gurbetelli Ersöz in mirror image, 107 days, and 145 press-ready lithographic limestone slabs, 900 cm x 1800 kg, 2016 - 2017. Installation view, documenta 14, Gennadius Library, Athens, 2017

Banu Cennetoğlu, Installation view, Banu Cennetoğlu, Kunsthalle Basel, Basel, 2011

Banu Cennetoğlu, Installation view, Banu Cennetoğlu, Kunsthalle Basel, Basel, 2011

Banu Cennetoğlu, Minx, readymade vibrator produced in collaboration with designer Shiri Zinn, 2010. Installation view, Region of Murcia in Dialogue Northertn Africa, Manifesta 8, Murcia

Banu Cennetoğlu, Minx, readymade vibrator produced in collaboration with designer Shiri Zinn, 2010. Installation view, Region of Murcia in Dialogue Northertn Africa, Manifesta 8, Murcia

Banu Cennetoğlu, Installation view, Information / Transformation, Extra City Center for Contemporary Art, Antwerp, 2011

Banu Cennetoğlu, Installation view, Information / Transformation, Extra City Center for Contemporary Art, Antwerp, 2011

Banu Cennetoğlu, Installation view, a gathering, Locus Athens, Greek Festival, Athens, 2012

Banu Cennetoğlu, Installation view, a gathering, Locus Athens, Greek Festival, Athens, 2012

Banu Cennetoğlu, Gurbet’s Diary (27.07.1995–08.10.1997), 82,661 words from Gurbet’s Diary. I Engraved My Heart into the Mountains by Gurbetelli Ersöz in mirror image, 107 days, and 145 press-ready lithographic limestone slabs, 900 cm x 1800 kg, 2016 - 2017. Installation view, Stories of Resistance, CAM St. Louis, 2020

Banu Cennetoğlu, Gurbet’s Diary (27.07.1995–08.10.1997), 82,661 words from Gurbet’s Diary. I Engraved My Heart into the Mountains by Gurbetelli Ersöz in mirror image, 107 days, and 145 press-ready lithographic limestone slabs, 900 cm x 1800 kg, 2016 - 2017. Installation view, Stories of Resistance, CAM St. Louis, 2020