Ian Law

Texts

Solo Shows

Group Shows

Ian Law, The wait is over, Exposed waiting room chair backs with picked home-dried flower shadows, 44 x 310 x 44 cm (17 1/3 x 122 x 17 1/3 in), 2015. Installation view, Kingdom of the Ill: Second chapter of TECHNO HUMANITIES, Museion, Bolzano, 2022

Ian Law, The wait is over, Exposed waiting room chair backs with picked home-dried flower shadows, 44 x 310 x 44 cm (17 1/3 x 122 x 17 1/3 in), 2015. Installation view, Kingdom of the Ill: Second chapter of TECHNO HUMANITIES, Museion, Bolzano, 2022

Ian Law, Installation view, Drips the Room, Piper Keys, London, 2020

Ian Law, Installation view, Drips the Room, Piper Keys, London, 2020

Ian Law, Untitled, ceramic, wig, girdle, pickle, water balloon filled with plinking ammo, 60 x 40 x 30 cm (23 5/8 x 15 3/4 x 11 3/4 in), 2017

Ian Law, Untitled, ceramic, wig, girdle, pickle, water balloon filled with plinking ammo, 60 x 40 x 30 cm (23 5/8 x 15 3/4 x 11 3/4 in), 2017

Ian Law, Bath Text (i - xiv), detail, digital prints on paper, 22.5 x 13 cm each (8 7/8 x 5 1/8 in each), 2020. Installation view, Drips the Room, Piper Keys, London, 2020

Ian Law, Bath Text (i - xiv), detail, digital prints on paper, 22.5 x 13 cm each (8 7/8 x 5 1/8 in each), 2020. Installation view, Drips the Room, Piper Keys, London, 2020

Ian Law, on Simone Weil Avenue with Lewis Ronald, Michal Szpunt and products from the Warren Retail Park in the Chartwell conference suite, Ashford International Hotel Simone Weil Avenue, 9th December 2017, replica Barbie Dream House floor, unique fibre based bromide print, plexiglass cover, 36.5 x 36.5 x 3 cm (14 3/8 x 14 3/8 x 1 1/8 in), 2018

Ian Law, on Simone Weil Avenue with Lewis Ronald, Michal Szpunt and products from the Warren Retail Park in the Chartwell conference suite, Ashford International Hotel Simone Weil Avenue, 9th December 2017, replica Barbie Dream House floor, unique fibre based bromide print, plexiglass cover, 36.5 x 36.5 x 3 cm (14 3/8 x 14 3/8 x 1 1/8 in), 2018

Ian Law, Installation view, The Palace at 4 a.m., NEON in collaboration with the Ephorate of Antiquities of Cyclades, Archaeological Museum of Mykonos, Mykonos, 2019

Ian Law, Installation view, The Palace at 4 a.m., NEON in collaboration with the Ephorate of Antiquities of Cyclades, Archaeological Museum of Mykonos, Mykonos, 2019

Ian Law, Untitled, fibre based bromide print, 25.4 x 20.3 cm (10 x 8 in), 2020

Ian Law, Untitled, fibre based bromide print, 25.4 x 20.3 cm (10 x 8 in), 2020

Ian Law and Aaron Angel, Installation view, Plumb Poltergeist, Art Exchange, Colchester, 2018

Ian Law and Aaron Angel, Installation view, Plumb Poltergeist, Art Exchange, Colchester, 2018

Ian Law, on Simone Weil Avenue with Lewis Ronald, Michal Szpunt and products from the Warren Retail Park in the Chartwell conference suite, Ashford International Hotel Simone Weil Avenue, 9th December 2017, replica Barbie Dream House floor, unique fibre based bromide print, plexiglass cover, 36.5 x 36.5 x 3 cm (14 3/8 x 14 3/8 x 1 1/8 in), 2018

Ian Law, on Simone Weil Avenue with Lewis Ronald, Michal Szpunt and products from the Warren Retail Park in the Chartwell conference suite, Ashford International Hotel Simone Weil Avenue, 9th December 2017, replica Barbie Dream House floor, unique fibre based bromide print, plexiglass cover, 36.5 x 36.5 x 3 cm (14 3/8 x 14 3/8 x 1 1/8 in), 2018

Ian Law, untitled, chest of drawers, ceramic by Marianne Measures (1970-2010), potting soil, unpicked t-shirts, 69 x 76.5 x 40 cm (27 1/8 x 30 1/8 x 15 3/4 in), 2020

Ian Law, untitled, chest of drawers, ceramic by Marianne Measures (1970-2010), potting soil, unpicked t-shirts, 69 x 76.5 x 40 cm (27 1/8 x 30 1/8 x 15 3/4 in), 2020

Ian Law, untitled, chest of drawers, ceramic by Marianne Measures (1970-2010), potting soil, unpicked t-shirts, 69 x 76.5 x 40 cm (27 1/8 x 30 1/8 x 15 3/4 in), 2020

Ian Law, untitled, chest of drawers, ceramic by Marianne Measures (1970-2010), potting soil, unpicked t-shirts, 69 x 76.5 x 40 cm (27 1/8 x 30 1/8 x 15 3/4 in), 2020

Ian Law, Reflections of absent others, detail, acrylic on canvas, compound feed for budgerigars, 273.8 x 322.8 cm (107 3/4 x 127 in), 2015. Installation view, Υοu're Adjusting, Rodeo, London, 2015

Ian Law, Reflections of absent others, detail, acrylic on canvas, compound feed for budgerigars, 273.8 x 322.8 cm (107 3/4 x 127 in), 2015. Installation view, Υοu're Adjusting, Rodeo, London, 2015

Ian Law, There was a body, I was there, was a body, medical privacy screens with soft toy fur fabric and curtain netting, gift wrapped, 171 x 108 cm (67 1/3 x 42 1/2 in), 2015. Installation view, Kingdom of the Ill: Second chapter of TECHNO HUMANITIES, Museion, Bolzano, 2022

Ian Law, There was a body, I was there, was a body, medical privacy screens with soft toy fur fabric and curtain netting, gift wrapped, 171 x 108 cm (67 1/3 x 42 1/2 in), 2015. Installation view, Kingdom of the Ill: Second chapter of TECHNO HUMANITIES, Museion, Bolzano, 2022

Ian Law, There Was A Body, I Was There, Was A Body, weathered laminated chipboard, plexiglass, wax, artificial flowers, florist’s gauze, 110 x 220 cm (43 1/3 x 86 2/3 in), 2014

Ian Law, There Was A Body, I Was There, Was A Body, weathered laminated chipboard, plexiglass, wax, artificial flowers, florist’s gauze, 110 x 220 cm (43 1/3 x 86 2/3 in), 2014

Ian Law, His Resigns, fibre based bromide print, frame in towelling, 103 x 103 cm (40 1/2 x 40 1/2 in), 2014

Ian Law, His Resigns, fibre based bromide print, frame in towelling, 103 x 103 cm (40 1/2 x 40 1/2 in), 2014

Ian Law, Ian Law, performance view, Chisenhale Gallery, 2015

Ian Law, Ian Law, performance view, Chisenhale Gallery, 2015

Ian Law, There was a body, I was there, was a body, medical privacy screens with soft toy fur fabric, curtain netting and organza, gift wrapped, 170 x 130 x 55 cm (66 7/8 x 51 1/8 x 21 5/8 in), 2016. Installation view, The Cypress Broke, Rodeo, London, 2016

Ian Law, There was a body, I was there, was a body, medical privacy screens with soft toy fur fabric, curtain netting and organza, gift wrapped, 170 x 130 x 55 cm (66 7/8 x 51 1/8 x 21 5/8 in), 2016. Installation view, The Cypress Broke, Rodeo, London, 2016

Ian Law, She’ll, plinth ‐ wood, emulsion, Potpourri - dried flowers infused with bergamot, mandarin and geranium oils, 230 x 169 x 79.5 cm (90 1/2 x 66 1/2 x 31 1/4 in) interior dimensions of room with toilet, Binstead Lodge Road, 2013/2020. Installation views, drips the room, Piper Keys, London, 2020

Ian Law, She’ll, plinth ‐ wood, emulsion, Potpourri - dried flowers infused with bergamot, mandarin and geranium oils, 230 x 169 x 79.5 cm (90 1/2 x 66 1/2 x 31 1/4 in) interior dimensions of room with toilet, Binstead Lodge Road, 2013/2020. Installation views, drips the room, Piper Keys, London, 2020

Ian Law, Manual, photograph, tape framed, 55 x 32 x 2.5 cm (21 2/3 x 12 2/3 x 1 in), 2011

Ian Law, Manual, photograph, tape framed, 55 x 32 x 2.5 cm (21 2/3 x 12 2/3 x 1 in), 2011

Ian Law, There Was A Body, I Was There, Was A Body, weathered corrugated steel, artificial candle electronics, 89 x 100 cm (35 x 39 1/3 in), 2014

Ian Law, There Was A Body, I Was There, Was A Body, weathered corrugated steel, artificial candle electronics, 89 x 100 cm (35 x 39 1/3 in), 2014

Ian Law, Ian Law, performance view, Chisenhale Gallery, 2015

Ian Law, Ian Law, performance view, Chisenhale Gallery, 2015

Ian Law, Friend, listening, water-based screen printing ink on canvas, 30.5 x 40.5 cm (12 x 16 in), 2012. Installation view, Make Sure, Rodeo, Istanbul, 2012

Ian Law, Friend, listening, water-based screen printing ink on canvas, 30.5 x 40.5 cm (12 x 16 in), 2012. Installation view, Make Sure, Rodeo, Istanbul, 2012