Duncan Campbell

Texts

Solo Shows

Group Shows

  • 2020

  • 2019

  • 2017

    • Where History Begins, Void, Derry
    • The Welfare of Tomás Ó Hallissy, Berlinale, Berlin International Film Festival, Berlin
  • 2016

    • Positions #3, Van Abbe Museum, Eindhoven
  • 2015

  • 2014

    • Turner Prize 2014, Tate Britain, London
    • The Act of Seeing With One’s Own Eyes, CAG Vancouver, Vancouver
  • 2013

    • ROLL OVER. REFLECTIONS ON DOCUMENTARY, AFTER RICHARD LEACOCK, Temporary Gallery, Cologne
    • Arbeidstid, Henie Onstad Art Centre, Høvikodden
  • 2012

    • Manifesta 9, Genk, Limburg
    • Les Prairies, Les Ateliers de Rennes Biennale d’art contemporain, Rennes
  • 2011

    • The Big Society, Galerie Vallois, Paris
    • Bedtime Stories Badtime Stories, Supportico Lopez, Berlin
    • Moving Portraits, De La Warr Pavilion, Bexhill
  • 2010

    • Critical Fetishes, Centro de Arte Dos de Mayo, Madrid
    • Tracing the Invisible, Museum Goch Schloss-Ringenberg, Hamminkeln
    • 1000 Lives, 8th Gwangju Biennale, Gwangju
    • Today I Made Nothing, Elisabeth Dee Gallery, New York
    • British Art Show 7, Nottingham Contemporary, Nottingham and Hayward Gallery, London
  • 2009

    • Asking Not Telling, Institute of Contemporary Art, Philadelphia
    • Fight the Power, Museo Nacional Centro de Arte Reina Sofia, Madrid
    • Border Crossings: Current Art and Modernsim in the 21st Century, Kunstmuseum Wolfsburg, Wolfsburg
  • 2008

    • After October, Elizabeth Dee Gallery, New York
    • Rictus Grin, curated by Christopher Eamon and Anke Kempkes, BROADWAY 1602, New York
  • 2007

    • You Have Not Been Honest, Museo D’Arte Donnaregina, Naples
  • 2006

    • Art Now, Tate Britain, London
    • Archeology of Today?, The Kosova Art Gallery, Prishtina
    • Ein Zentrum in der Peripherie, Galerie-Peripherie, Sudhaus Tübingen
  • 2005

    • Art from Glasgow, Temple Bar Gallery, Dublin
    • Archeology of Today?, Els Hanappe Underground, Athens
    • The Need to Document, Halle für Kunst, Lueneburg
  • 2004

    • Manifesta 5, European Biennial of Contemporary Art, San Sebastian
    • Emotion Eins, Frankfurter Kunstverein, Frankfurt
    • Revolution Is Not What It Used To Be, S1 Artspace, Sheffield
  • 2003

    • Advertence, festival of documentary film – Various venues Belfast and Dublin
    • Fresh and Upcoming, project with Luke Fowler at Frankfurter Kunstverein, Frankfurt
    • Old Habits Die Hard, Sparwasser HQ, Berlin
    • Old Habits Die Hard, Norwich Gallery, Norwich
  • 2002

    • Shadazz, Royal College of Art, London
    • Avantoscope, experimental film and music festival at KIASMA, Helsinki
    • Flicer, De Overslag, Eindhoven

Nominations

2014

Turner Prize 2014, London, (winner)

Duncan Campbell, It for Others, 16 mm film and analogue video transferred to digital video, 2013. Installation view, Michael Clark: Cosmic Dancer, Barbican Centre, London, 2020

Duncan Campbell, It for Others, 16 mm film and analogue video transferred to digital video, 2013. Installation view, Michael Clark: Cosmic Dancer, Barbican Centre, London, 2020

Duncan Campbell, It For Others, still, 16 mm and analogue video transferred to digital video, 54 min., 2013

Duncan Campbell, It For Others, still, 16 mm and analogue video transferred to digital video, 54 min., 2013

Duncan Campbell, Factories Act 1961, screen print on hand-painted background, 87.5 x 60.3 cm, 2009

Duncan Campbell, Factories Act 1961, screen print on hand-painted background, 87.5 x 60.3 cm, 2009

Duncan Campbell, The Welfare of Tomás Ó Hallissy, still, video, 30 min. 37 sec., 2016

Duncan Campbell, The Welfare of Tomás Ó Hallissy, still, video, 30 min. 37 sec., 2016

Duncan Campbell, Make it New John, 16 mm film and analogue video transferred to digital video, 50 min., 2009. Installation view, Make It New John, Chisenhale Gallery, London, 2009

Duncan Campbell, Make it New John, 16 mm film and analogue video transferred to digital video, 50 min., 2009. Installation view, Make It New John, Chisenhale Gallery, London, 2009

Duncan Campbell, O Joan, no..., still, 16 mm film transferred to digital video, 12 min., 2006

Duncan Campbell, O Joan, no..., still, 16 mm film transferred to digital video, 12 min., 2006

Duncan Campbell, Bernadette, still, 16 mm film transferred to digital video, 38 min. 10 sec., 2008

Duncan Campbell, Bernadette, still, 16 mm film transferred to digital video, 38 min. 10 sec., 2008

Duncan Campbell, Bernadette, still, 16 mm film transferred to digital video, 38 min. 10 sec., 2008

Duncan Campbell, Bernadette, still, 16 mm film transferred to digital video, 38 min. 10 sec., 2008

Duncan Campbell, Untitled, found metal vitrine and poem, 123.2 x 158.3 x 12 cm, 2015

Duncan Campbell, Untitled, found metal vitrine and poem, 123.2 x 158.3 x 12 cm, 2015

Duncan Campbell, Make it new John, 16 mm film and analogue video transferred to digital video, 2009. Installation view, Make it new John, Artists Space, New York, 2010

Duncan CampbellMake it new John, 16 mm film and analogue video transferred to digital video, 2009. Installation view, Make it new John, Artists Space, New York, 2010

Duncan Campbell, Falls Burns Malone Fiddles, 35 mm photographic negatives and 16 mm film transferred to digital video, 33 min., 2003

Duncan Campbell, Falls Burns Malone Fiddles, 35 mm photographic negatives and 16 mm film transferred to digital video, 33 min., 2003

Duncan Campbell, Make It New John, 16 mm film and analogue video transferred to digital video, 50 min., 2009

Duncan Campbell, Make It New John, 16 mm film and analogue video transferred to digital video, 50 min., 2009

Duncan Campbell, It for Others, 16 mm film and analogue video transferred to digital video, 2013. Installation view, Scotland + Venice, Palazzo Pisani, 55th Venice Biennale, 2013. 

Duncan Campbell, It for Others, 16 mm film and analogue video transferred to digital video, 2013. Installation view, Scotland + Venice, Palazzo Pisani, 55th Venice Biennale, 2013. 

Duncan Campbell, Untitled, silk-screen printed photo, 2007

Duncan CampbellUntitled, silk-screen printed photo, 2007