James Richards

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Nominations

2024

Preis der Nationalgalerie 2024

2015

Squeezing Sorrow from an Ashtray, Bergen Kunsthall, Bergen, Norway

2014

Turner Prize, London, (shortlisted)

Ars Viva Prize, Germany

2013 – 2014

DAAD Artist in Berlin Programme, Berlin

2012

Derek Jarman Award, London

CCA Kitakyushu, Professor of Research, March – April, Kitakyushu, Japan

2011

Luma Foundation Luma Award, Arles, France (shortlisted)

Experimental TV Center, Owego, USA

2008

LUX Associated Artists Programme, London

2007

Light Reading, No.w.here Lab, London

James Richards, Installation view, Speed (with Leslie Thornton), Künstlerhaus Stuttgart, Stuttgart, 2018

James Richards, Installation view, Speed (with Leslie Thornton), Künstlerhaus Stuttgart, Stuttgart, 2018

James Richards, Phrasing, still, 4K video on custom screen, silent, 6 min. looped, 2018

James Richards, Phrasing, still, 4K video on custom screen, silent, 6 min. looped, 2018

James Richards, Raking Light, still, digital video, sound, 5 min. 32 sec., 2014

James Richards, Raking Light, still, digital video, sound, 5 min. 32 sec., 2014

James Richards, The Screens, 35 mm slide installation, four sets of eighty DIA slides, 320 slides, 2013. Ιnstallation view, Turner Prize 2014, Tate Britain, London, 2014

James Richards, The Screens, 35 mm slide installation, four sets of eighty DIA slides, 320 slides, 2013. Ιnstallation view, Turner Prize 2014, Tate Britain, London, 2014

James Richards, Alms for the Birds, two channel video with sound, 6 min. 17 sec., 2020. Installation view, From the Home to the Museum, from the Museum to the Home, Castello di Rivoli, Turin, 2020

James Richards, Alms for the Birds, two channel video with sound, 6 min. 17 sec., 2020. Installation view, From the Home to the Museum, from the Museum to the Home, Castello di Rivoli, Turin, 2020

James Richards, Alms for the Birds, still, two channel video with sound, 6 min. 17 sec., 2020

James Richards, Alms for the Birds, still, two channel video with sound, 6 min. 17 sec., 2020

James Richards, Migratory Motor Complex, six channel audio, computer, 16 min. 4 sec., 2017. Installation view, Music for the Gift, Cymru Yn Fenis, Wales in Venice, Venice Biennale, Venice, 2017

James Richards, Migratory Motor Complex, six channel audio, computer, 16 min. 4 sec., 2017. Installation view, Music for the Gift, Cymru Yn Fenis, Wales in Venice, Venice Biennale, Venice, 2017

James Richards and Steve Reinke, What Weakens the Flesh is the Flesh Itself, still, digital video with sound, 40 min., 2017

James Richards and Steve Reinke, What Weakens the Flesh is the Flesh Itself, still, digital video with sound, 40 min., 2017

James Richards and Steve Reinke, What Weakens the Flesh is the Flesh Itself, still, digital video with sound, 40 min., 2017. Installation view, Music for the Gift, Cymru Yn Fenis, Wales in Venice, Venice Biennale, Venice, 2017

James Richards and Steve Reinke, What Weakens the Flesh is the Flesh Itself, still, digital video with sound, 40 min., 2017. Installation view, Music for the Gift, Cymru Yn Fenis, Wales in Venice, Venice Biennale, Venice, 2017

James Richards, Not Blacking Out, Just Turning The Lights Off, still, two-channel video, 16 min. 16 sec., 2011

James Richards, Not Blacking Out, Just Turning The Lights Off, still, two-channel video, 16 min. 16 sec., 2011

James Richards, Installation view, Not Blacking Out, Just Turning The Lights Off, Chisenhale Gallery, London, 2011

James Richards, Installation view, Not Blacking Out, Just Turning The Lights Off, Chisenhale Gallery, London, 2011

James Richards, Practice Theory, still, single channel video, sound, 2 min. 18 sec., 2006

James Richards, Practice Theory, still, single channel video, sound, 2 min. 18 sec., 2006

James Richards, Installation view, Crumb Mahogany, Bergen Kunsthall, 2016

James Richards, Installation view, Crumb Mahogany, Bergen Kunsthall, 2016

James Richards, Rosebud, still, looped video, sound, 12 min. 57 sec., 2013

James Richards, Rosebud, still, looped video, sound, 12 min. 57 sec., 2013

James Richards, Installation view, Requests and Antisongs, Institute of Contemporary Art, London, 2016

James Richards, Installation view, Requests and Antisongs, Institute of Contemporary Art, London, 2016

James Richards, Rushes Minotaur, inkjet prints on dibond aluminium, 2017. Installation view, Music for the Gift, Cymru Yn Fenis, Wales in Venice, Venice Biennale, Venice, 2017

James Richards, Rushes Minotaur, inkjet prints on dibond aluminium, 2017. Installation view, Music for the Gift, Cymru Yn Fenis, Wales in Venice, Venice Biennale, Venice, 2017

James Richards, Untitled (Video Wall), looped video, silent Hantarex Video Wall: 16 monitors (4 x 4) / 28" MGG EQ/2 Hantarex CRT Monitors, 9 min. 6 sec., 2015. Installation view, James Richards, Kunstverein Munich, Munich, 2015

James Richards, Untitled (Video Wall), looped video, silent Hantarex Video Wall: 16 monitors (4 x 4) / 28" MGG EQ/2 Hantarex CRT Monitors, 9 min. 6 sec., 2015. Installation view, James Richards, Kunstverein Munich, Munich, 2015