The Egyptian artist Iman Issa’s (*1979, Cairo) sculptures and installations point to historical as well as current cultural heritages—for instance, monuments and their social and political character. Based on existing memorials, artifacts, and instruments, the artist develops formally abstract sculptures, some of which include references to texts, which deliberately create links to historical artworks, cultural goods, and events. They do this without revealing their social and geographic origin or cultural context—without pointing to quotations and sources. Through formal reduction and abstraction, in her almost encyclopedically conceived spatial settings the artist focuses on the collective approach to art history, cultural history, and current events as well as the power of depiction. She translates historical and contemporary aspects into a new visual language with diverse levels of meaning.

Text by: Kunstmuseum St.Gallen